Tina Brown of Vanity Fair on American interests; 1984

British writer, well-known raconteur, and gay icon, Quentin Crisp interviews Tina Brown (Christina Hambley Brown, Lady Evans), who was the Editor of Vanity Fair at the time. Crisp asked Brown if she thinks that Americans want to read different things in a magazine to English people. Tina Brown comments, "....there also are some differences, I find, for instance, that America's no memory. It's, er, not interested in the past, whereas nostalgia is a big industry in England, and indeed, at the Tatler, I always had a sort of strong, nostalgic element, the sort of longing for the country house. Here, I don't think people are at all interested in the past. In fact, they're almost hostile to the past. But the most complimentary thing anybody ever says, it seems, is 'That's so contemporary'., which I like actually, I think it's great. It makes you think more about what you're doing at the moment, rather than falling back on some of the sort of, er, material one might have used in other magazines." Inside Vanity Fair offices, Condé Nast, Madison Avenue, New York, USA; 1984 (LNFL407S - AEVZ001J)
British writer, well-known raconteur, and gay icon, Quentin Crisp interviews Tina Brown (Christina Hambley Brown, Lady Evans), who was the Editor of Vanity Fair at the time. Crisp asked Brown if she thinks that Americans want to read different things in a magazine to English people. Tina Brown comments, "....there also are some differences, I find, for instance, that America's no memory. It's, er, not interested in the past, whereas nostalgia is a big industry in England, and indeed, at the Tatler, I always had a sort of strong, nostalgic element, the sort of longing for the country house. Here, I don't think people are at all interested in the past. In fact, they're almost hostile to the past. But the most complimentary thing anybody ever says, it seems, is 'That's so contemporary'., which I like actually, I think it's great. It makes you think more about what you're doing at the moment, rather than falling back on some of the sort of, er, material one might have used in other magazines." Inside Vanity Fair offices, Condé Nast, Madison Avenue, New York, USA; 1984 (LNFL407S - AEVZ001J)
KÖP EN LICENS

Få personligt anpassade priser genom att berätta om när, var och hur du vill använda den här filen.

INFORMATION

Begränsningar:
Får ej användas som självständigt program, i sekvens med andra BBC-klipp, för inofficiell sammankoppling med BBC eller på ett sätt som skadar BBC:s anseende. Ytterligare begränsningar för BBC Motion Gallery gäller – se paragraf 3(g) i aktuellt Getty Images-licensavtal. Kontakta Getty Images för all användning av det här klippet i utbildningssyfte.
Redaktionell fil nr:
1852005948
Samling:
BBC Editorial
Datum skapat:
23 juni 1984
Uppladdningsdatum:
Licenstyp:
Rights-ready
Releaseinformation:
Saknar release. Mer information
Klipplängd:
00:00:35:05
Plats:
New York, United States
Mastrad till:
QuickTime 10-bit ProRes 422 Standard HD 1920x1080 25p
Källa:
BBC Editorial
Objektnamn:
saturdayreview_katherinehamnett_lnfl407s_04b